溫嵐 – 魔力High Q – Single (2008) [iTunes Plus AAC M4A]

2014/07/26 21 views No Coments

cover 1400x1400.600x600 75 溫嵐   魔力High Q   Single (2008) [iTunes Plus AAC M4A]

Genres: Mandopop, Music, Pop
Released: 13 June 2008
℗ 2008 Seed Music Co.,Ltd

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大橋トリオ – 大橋トリオ – カバーベスト – (2014) [iTunes Plus AAC M4A]

2014/07/26 23 views No Coments

ANTCD 10757.600x600 75 大橋トリオ   大橋トリオ   カバーベスト   (2014) [iTunes Plus AAC M4A]

Genres: J-Pop, Music
Released: Mar 05, 2014
℗ 2014 AVEX ENTERTAINMENT INC.

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Various Artists – 勢在必行2: Everything Changes – EP (2014) [iTunes Plus AAC M4A]

2014/07/26 21 views No Coments

2 Everything Changes 1500.600x600 75 Various Artists   勢在必行2: Everything Changes   EP (2014) [iTunes Plus AAC M4A]

Genres: Mandopop, Music, Pop
Released: 28 March 2014
℗ 2014 Eagle Music International Co.,Ltd

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柳妍熙 – Who’s Shay – EP (2014) [iTunes Plus AAC M4A]

2014/07/26 19 views No Coments

0799439117044.600x600 75 柳妍熙   Whos Shay   EP (2014) [iTunes Plus AAC M4A]

Genres: Mandopop, Music, Pop
Released: 12 April 2014
℗ 星曜國際娛樂有限公司 (Chaud International Entertainment Ltd)

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大橋トリオ – 大橋トリオ – スタンダードベスト – (2014) [iTunes Plus AAC M4A]

2014/07/26 25 views 1 Comments

ANTCD 10755.600x600 75 大橋トリオ   大橋トリオ   スタンダードベスト   (2014) [iTunes Plus AAC M4A]

Genres: J-Pop, Music
Released: Mar 05, 2014
℗ 2014 AVEX ENTERTAINMENT INC.

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藤田恵美 – ありがとう ~あなたの詩 わたしの歌~ (2014) [iTunes Plus AAC M4A]

2014/07/26 28 views 1 Comments

PCCA 03997 itunes.600x600 75 藤田恵美   ありがとう ~あなたの詩 わたしの歌~ (2014) [iTunes Plus AAC M4A]

Genres: Vocal, Music
Released: Mar 05, 2014
℗ ポニーキャニオン

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赤髪 – melt away (2014) [iTunes Plus AAC M4A]

2014/07/26 24 views 1 Comments

YCCV10019.600x600 75 赤髪   melt away (2014) [iTunes Plus AAC M4A]

Genres: J-Pop, Music
Released: Feb 12, 2014
℗ 2014 YAMAHA MUSIC COMMUNICATIONS

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大忙人 – 上半場 (2014) [iTunes Plus AAC M4A]

2014/07/26 25 views 1 Comments

MR.BUSY 4000x4000.600x600 75 大忙人   上半場 (2014) [iTunes Plus AAC M4A]

Genres: Mandopop, Music, Pop, Rock, Chinese Rock
Released: 27 February 2014
℗ 2014 AsiaMuse Entertainment Co.,Ltd.

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那我懂你意思了 – 原諒我不明白你的悲傷 (2012) [iTunes Plus AAC M4A]

2014/07/26 21 views No Coments

COVER3 4000x4000.600x600 75 那我懂你意思了   原諒我不明白你的悲傷 (2012) [iTunes Plus AAC M4A]

Genres: Chinese Alt, Music, Alternative
Released: 20 December 2012
℗ 2012 Neutron Culture Co.,Ltd.

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鄧養天 – Music Fashion Love – EP (2014) [iTunes Plus AAC M4A]

2014/07/26 24 views No Coments

14UMGIM00454.600x600 75 鄧養天   Music Fashion Love   EP (2014) [iTunes Plus AAC M4A]

Genres: Mandopop, Music, Pop
Released: 20 January 2014
℗ 2014 IDSON Communication Co.,Ltd.

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David Bisbal – Tú y Yo (Tour Edition) (2014) [iTunes Plus AAC M4A]

2014/07/25 44 views 2 Comments

14UMGIM23312.600x600 75 David Bisbal   Tú y Yo (Tour Edition) (2014) [iTunes Plus AAC M4A]

Genres: Pop, Music
Released: 17 June 2014
℗ 2014 Universal Music Spain, S.L.

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Baobab – Baobab (2013) [iTunes Plus AAC M4A]

2014/07/25 43 views 1 Comments

894880002533 Cover.600x600 75 Baobab   Baobab (2013) [iTunes Plus AAC M4A]

Genres: Rock, Music, Alternative, Indie Rock
Released: Feb 12, 2013
℗ HYPE MUSIC. Distributed by MTV Networks, a Division of Viacom International Inc.

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Judas Priest – Painkiller (1990) [iTunes Plus AAC M4A]

2014/07/25 34 views 2 Comments

dj.sgrrytqm.600x600 75 Judas Priest   Painkiller (1990) [iTunes Plus AAC M4A]

Genres: Metal, Music, Rock, Hard Rock
Released: Aug 1990
℗ 2001 Sony Music Entertainment (UK) Limited

★Review
At the dawn of the ’90s, Judas Priest were in sad shape: out of touch, seemingly creatively bankrupt, coming off the two worst albums of their career, and left for dead by many observers. Trying to right the ship, Priest jettisoned longtime producer Tom Allom and his tinny ’80s sound, as well as the serviceable groove drumming of Dave Holland, and brought in veteran metal producer Chris Tsangarides and onetime Racer X skinsman Scott Travis. Most importantly, though, Priest stopped trying to be a stadium act in the midst of hair metal’s heyday. All those changes come into sharp focus as soon as the title cut of Painkiller starts — Travis’ thunderous (and crisp-sounding) percussive maelstrom lights an immediate fire under the bandmembers’ asses; Glenn Tipton and K.K. Downing tear through a crushing, diabolical riff; and Rob Halford starts shrieking like a wicked witch, giving perhaps the most malevolent-sounding performance of his career. It’s a startling statement of musical purpose that arrived seemingly out of nowhere, heralding a comeback that rivals George Foreman’s. Once the leanest, meanest, darkest metal band on the planet, Priest were clearly giving up on the mainstream and instead embracing the thrash and speed metal underground they’d helped spawn. Not only do they come to terms with it here, they teach those whippersnappers a thing or two, marrying furious instrumental pyrotechnics to an unerring sense of songcraft. Spurred on by Travis’ jazz-trained double bass assault, Painkiller never once lets up, slowing down only for the elegant menace of the prog-tinged “A Touch of Evil,” and without an unmemorable tune in the bunch.

That constant, balls-out intensity is a big reason why metal’s younger generation has come to consider Painkiller perhaps the ultimate speed metal album. Older Priest fans will likely complain that the lyrics are silly, and they won’t be wrong — for all its fury, the title track is about the winged knight riding the monster motorcycle depicted on the front cover. However, there’s a convincing argument to be made that this brand of comic book fantasy holds up better over time (and is more fun) than most would care to admit (and it can’t be any sillier than, for example, members of Morbid Angel worshipping H.P. Lovecraft’s fictional Ancient Ones as actual demonic entities). Thus, Painkiller’s influence reaches further than many longtime fans might expect: traditionalist power metal bands wanting a harder edge adopted a good chunk of Painkiller’s approach, yet its blend of chops and aggression also caught the ears of the emerging extreme metal movement, even inspiring a cover version of the title track on Death’s final album, The Sound of Perseverance. In the end, Painkiller secured Judas Priest’s legacy with the next generation of metal fans; it’s the point where their contributions make the most sense to modern ears more attuned to metal extremes (and more affectionate towards lyrical clichés). It isn’t the most important of the Priest classics, but it is the fastest, the meanest, and, well, the most f***ing metal album they ever released. Simultaneously a stunning revitalization and the last great album they would ever make, thanks to Halford’s imminent departure. [The 2002 Columbia/Legacy reissue adds two bonus tracks: "Living Bad Dreams" and a live version of "Leather Rebel."]

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Beth Hart – Bang Bang Boom Boom (2013) [iTunes Plus AAC M4A]

2014/07/25 46 views 2 Comments

Cover.600x600 75 Beth Hart   Bang Bang Boom Boom (2013) [iTunes Plus AAC M4A]

Genres: Blues, Music, Rock, Blues-Rock, American Trad Rock
Released: Apr 02, 2013
℗ 2013 Mascot Records

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Dan Michaelson and The Coastguards – Blindspot (2013) [iTunes Plus AAC M4A]

2014/07/25 44 views 3 Comments

5055453675706.600x600 75 Dan Michaelson and The Coastguards   Blindspot (2013) [iTunes Plus AAC M4A]

Genres: Alternative, Music, Singer/Songwriter, Rock, Adult Alternative
Released: 18 March 2013
℗ 2013 The state51 Conspiracy

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